Color Karma for the Next Decade

Where will color go in 2010? What about the next decade? Will we be under the influence of trends or will the timeless powers of color rule? I’m sure you’ll agree that it will be both - and it all depends on many factors. The good thing about trends is that they inject new life into the color wheel. Yes, but what goes around comes around again and that’s my first take on color karma for the next decade.

Several trends gurus proclaim that mauve is back. It’s a subtle shifty hue that a painter described as “the color of a dead prostitute’s lips.” With that aside, here’s how I remember this color’s popularity in the past: The interiors of homes, offices, and even hospitals were drenched in mauve – and it was usually combined with teal (a blue-green). This new color combination was a sophisticated switch from the organic avocado and harvest gold hues that dominated the previous decade. Note: Pantone has declared that turquoise is the color for 2010.

Consider this: The mauving of America in the 80s followed the avocado refrigerator days of the 70s. Do the math:

Yellow-green / avocado: 1970s + 30 years = 2000 - through the decade
(Note: Shortly before the year 2000 yellow-greens became the cutting edge color for products and advertising.)

Mauve: 1980s + 30 years = 2010 - ?

In retrospect, it seems that one or two colors emerge as the most powerful new trends and this trend lasts about a decade. Also, after a color has dropped off the radar for at least 20 years, it’s a good time to resurrect it.

However, we live in a different world today. It’s so complex that no one dares to proclaim that any single color has the staying power for a decade. Alas! Those who dare to predict trends limit it to one year – as is the case with the recent proclamation by Pantone and others.

Time will tell.

In conclusion, I can now disclose my most recent project. The next generation of Xerox printers has debuted. I was part of an international team that came up with one color (the accent color for the front panel) for all the printers, from the small business models to the huge production machines. Guess what? It’s a classical color that was tweaked with subtle undertones for the next decade.

A word of advice for all aspiring colorists: Build a foundation in timeless color concepts. And have fun!

Push the color red as far as it can go?

One of my unfulfilled dreams as a colorist has been to pack as many colors as possible into a painting that breaks the barrier of “it’s too pretty to be considered as serious art.”

When I was working on my M.F.A., the "anti-aesthetic" ruled. The art that was sanctioned by the intelligentsia was far from lovely. Matisse’s famous philosophy - that a painting should be like a comfortable armchair - was taboo. There was no going back to the luxurious color harmonies of Matisse and Monet in the French impressionist era or the lush abstractions of deKooning or Rothko in the mid-twentieth century.

Maybe it was a good thing that I turned away from painting fifteen years ago, because until a few days ago, I didn’t think it was possible to create an image on a canvas with juicy oil paints - an image with more colors that one could imagine occupying the picture plane or just one lush or screaming color in a way that it had never existed before. Finally, I didn't believe that this genre of colorful imagery could meet the high standards of the fine arts world today.

I met an artist last week whose paintings embody every goal, every dream any artist, any colorist could wish for. She is Chris Chou, a Guggenheim Fellow 2007 - and that means she is indeed taken seriously by artists and art historians internationally.

Here’s what Chris says about red “I paint the color of red. I want to push red as far as it can go.”

At this point, words fail. See what she did with red and every color of the spectrum at her website - http://aredstudio.blogspot.com/

Here comes trouble: Paint matching apps for the iPhone

Its' supposed to solve the dilemma of winding up with all those cans of paint in colors that are too bold, too dingy, or not quite right. Both Benjamin Moore's Ben Color Capture and Sherwin-Williams' ColorSnap applications for the iPhone work the same way: Take a picture with your iPhone, zoom in on an area of color that you want to match in paint. Click “match” and the application gives you a range of paint options just like a real paint strip from their catalogue (either Moore or Sherwin). On the plus side, it shows the color’s nearest neighbors, in both lighter and darker shades.

However, you’re still in for hours of hard work. After you buy a quart of paint (or a gallon if the color is unavailable in quart sizes) you have to try it in the room. It’s best to test the color in several areas of the room - one area in bright light and one in the shade. Look at it at night and in the daytime as well. Chances are that the color isn’t what you expected. Paint chips are very tricky, regardless of whether you selected the color in the store or with this app. So, now it’s back to the paint store with the other color options generated by the iPhone app.

It does seem to solve one problem: Color samples in the paint stores are usually affected by store lighting and always look different when they’re on a wall in your home. On the other hand, the lighting issue on the iPhone is also problematic. Too little light, and your color image ends up dull, faded, or too dark; too much, and your colors end up washed out or too pale.

Will these apps save you hours and hours of agony? Not really. They have a long way to go before they can take a very clear color-accurate picture of whatever it is that inspires you - and adjust for all the variables between a photograph and a can of paint.

It will make it easier in one way: Beginning a task is usually the biggest challenge.

I’ll make it even easier by giving my blog fans a copy of “Color Tips” - a set of pages of tips for using colors schemes and layouts for your home (from my recent publication, Color Matters for the Home). For the next two weeks, you can download it for free. Click here.

A Color Heaven

Three weeks ago, I presented a seminar about color in Bermuda. I’ll admit that I’m quite spoiled by living in the color paradise of Hawaii. I’m not easily swept off my feet, but the colors of Bermuda - everything from sand to architecture - were stunning and classy, at that.

Real men wear pink - pink shirts and even pink shorts. In fact the logo on the airport terminal is a pair of pink Bermuda shorts. Aside from wearing apparel, many of the beaches are pink and so are the homes and many of the commercial buildings.

Buildings are also painted shades of blue that melt into the sky; others are lemony tints or startling salmon oranges. In fact, the buildings are every color of the spectrum - and every shade of pink.

I wonder why we tend to be so color-phobic about architecture in the U.S.? Even in tropical places like Hawaii, it’s mostly a sea of grey or beige pablum. Traditionally (and historically), the closer you get to the sea, the more colorful the buildings. It’s time for a change!