Showing posts with label logo. Show all posts
Showing posts with label logo. Show all posts

Tuesday, March 30, 2010

A Color that’s Worth $80,000,000



A reader asked what shade of green I specified for the bank in the previous blog post. Before I answer that, here’s a story about a multi-million dollar color:

The right shade of blue can be worth $80 million – at least that’s what they say about Bing’s blue link color. Microsoft’s research team found that blue engaged people the most and they tested various shades of blue in user groups. First, they determined that their previous shade of blue (a paler hue) lacked confidence. Finally, they wound up with a shade of blue quite similar to the one used by Google. Based on user feedback, the team estimated the best blue color could generate $80 million to $90 million in ad sales.

By the way, you’ve probably been a guinea pig for Google’s analysis of the click-through rate of different link colors. Gmail’s users were randomly tested with 40 different link colors, ranging from “blue-with-greenish” to “blue-with-blue-ish.” Google discovered that blue-ish links encouraged more clicking than greenish. (Have you noticed that Gmail uses a slightly different shade of blue for its links than the main Google search page?)

My take on this is that HTML links were originally a similar shade of blue – a strong vivid blue with great contrast on a white background. Perhaps we're just hard-wired to click on blue. Is there really such a difference between #0044CC and #2200CC as to have a noticeable effect? What do you think? Also, aside from those blues, which color would make you click more?

This raises a provocative design question: Should the best color for links be a pure design decision made by someone with strong expertise in design, psychology, and human-computer interaction or should it be determined by an (unintentional) vote among users?

Back to the question about the specific shade of green for that bank: It was not a stodgy green, not a stereotypical banker’s green, NOT that overused green that is used for every eco call to action, and not pure RGB green #00FF00. It was a very special green that can’t be revealed due to confidentiality clauses for this project. However, it is worth noting that the logo design included a small color accent and that the new green created the right harmonious relationships. Always remember that colors never exist in isolation. It may be as simple as blue text on a white background, or pure green next to yellow on a dark green background.

In conclusion, do you think that green can be worth as much as that the blue link color? Consider the phenomenal success Heinz EZ Squirt Blastin' Green ketchup. More than 10 million bottles were sold in the first seven months following its introduction. The result: $23 million in sales - the highest sales increase in the brand's history.

But what about a specific shade of green? What if you could trademark “your green” and prevent others from using it? Would that be worth more than a billion dollars? Here’s an answer: BP, one of the world's largest energy companies, was denied a trademark for green. Here's why: Link

Tuesday, March 16, 2010

Working with Color: Bailouts and Branding



I love interviews with the press because there’s always one challenging question that requires a good answer. Last week, the interviewer asked, “How do you get your color consultation projects?” I replied that half the time, there’s a color disaster underway and someone contacts me. Typically, “the boss” has chosen his or her favorite color for the logo (or the product, packaging, etc.) and a member of the staff senses that there is something terribly wrong with the choice.

One of my recent projects is a perfect example of these color bailouts: In this case, the CEO had chosen purple for the bank’s new logo and all collateral material. The V-P questioned whether purple was appropriate and provided a list of the attributes that the logo color should communicate: simplicity, ease of access, multiple access points, state of the art technology, and ecological awareness. As for demographics, the customers ranged from GenY to Baby Boomers in the mid-west, (U.S.). Yes, she was right about her color intuition. Although purple does align itself with high technology, it would fail to address all the other critical criteria for a bank. My ten-page documentation presented an objective analysis of purple and a specification for the best color. (By the way, the nice part of this business is knowing that you can mediate a dispute with rational information – and you always gain some insights about the mysterious and compelling world of personal color preferences.)

Another situation unfolds when the color selection has been placed in the hands of the pigment or paint chemists and someone in another department raises a red flag. For example, it wasn’t very long ago that the colors for pills came out of the lab – and these colors typically had no logical connection to color communication and the consumer. Consider this: The "Golden Rule" in pharmaceuticals is to select colors that represent the cure, not the malady. Picture a grey anti-depressant tablet - and then think about what color should be avoided for a sleeping pill. (See Taking the Colors of Medications Seriously)

As for the rest of my color projects, I’m usually involved before a product is rolled out and long before there’s a problem. In recent years, golf carts, computer hardware, medications, garbage cans, and even toilet plungers have been part of the mix. However, just when it seemed that most of my focus was on branding and marketing, an architectural project arrived and I wound up analyzing paint scrapings under a microscope and specifying paint colors for a historical restoration.

The only thing that challenges me about this work is that I have to shut down my personal passions for colors and stick to objective criteria. I’ll admit that yellow has always been my favorite color and that other colors drift into my personal kaleidoscope – colors like tomato red and tender shades of teal. But this is my personal agenda and I’d never apply it to the real world of color consultation.

Monday, July 27, 2009

Color Infringement: Microsoft vs. Google



Lawyers for Microsoft, Inc. have filed a lawsuit against Google, claiming the company's new Chrome OS color scheme infringes on the Windows logo color scheme.

Can Microsoft really own “the four colors” used in its logo and prevent others in the industry from using them even if the logo is completely different? One of the basic principles of color trademark laws in the US is that a functional color cannot be trademarked. In other words, if a company makes lawn mowers, they can’t trademark green because green is the color of lawns and is therefore a functional color. Contrary to urban myths, John Deere does not own green. (They did trademark a green paint but that’s their paint formula in a special shade of green.)

Consequently, one could say that colors and especially RGB (red, green, blue) are functional colors of all computer operating systems. Without these colors, we’d be stuck with black and white images and text on our monitors, as was the case many decades ago. I conclude that a multi-colored logo is in fact descriptive.

There’s something else that troubles me about this lawsuit: Four specific colors are in question- not just one color such as Dow Corning’s trademarked pink. The issues of color monopoly and color depletion become quite serious in Microsoft’s claim.

Although Microsoft has filed a patent for the colored logo, that’s completely different than their subsequent claim that they OWN the four colors. If Google’s Chrome logo were four circles in a layout similar to Microsoft’s four rectangles, one could argue consumer confusion. That is not the case with Chrome’s compact circular logo.

A final detail: The four colors are NOT the same! Did you notice that Microsoft uses an orange-red and Google’s Chrome a pure red. Likewise, the greens are completely different. Now I’m really on a color crusade to stop the madness!

What do you think?


One last item about truth in reporting: The news piece that reported this lawsuit included a reference to a quote by Yale law professor Amanda Reagan that Apple was forced “to load its beautifully colorful logo into Photoshop and desaturate it 80%." in Microsoft v Competitor #126. After considerable time searching for this lawsuit, I can’t find anything. In fact, Ms. Reagan is not listed as Yale Law School faculty on their web site and a search for her name coupled with “law” reveals nothing. (And we think we are deluged with bad information in our world of color consultation!) If any of you can fill in the blanks, please comment.


Source: Microsoft Sues Google For OS Color Infringement

Friday, July 17, 2009

Changing the Colors of GM's Logo


It was rumored that GM may consider changing the color of its logo from blue to green when it emerged from bankruptcy. Apparently, that’s not going to happen.

Too bad for GM! This could have been a classic case of brand transformation in the right direction. Yes, something as subtle as color can affect a consumers’ perception of a brand, a corporate image, business, and any product.

Any color change would have sent a message that the stodgy old GM products and attitudes were gone. (And blue - that GM blue - is as boring and unimaginative as many of the cars that GM expected we’d buy.)

Green would be perfect for several reasons:

1. It’s a change - and changing the color of a logo signals a big change.

2. Green delivers the powerful symbolism of eco-friendliness. Even though we’re gagging on the repetitious emphasis on "green" products today, the automotive industry and especially GM REALLY need to catch up. Philosophically, green sends the right message.

3. A green GM logo would draw attention to the company's greener product offerings such as the upcoming Chevrolet Volt and Cruze which is expected to get significantly higher mpg ratings than even the new Cobalt.

The only disadvantage might be the 1920’s racing superstition that green race cars are bad luck. The only real risk might be the association of green with money (US greenbacks) - the taxpayer’s money that was used for the bailouts.

One last thing: Brand continuity. It’s a change but not a huge shift. Blue and green are both cool colors. For that matter, green is blue’s neighbor on the color wheel. The trick is to find the right shade of green . . .and that’s where GM could have used a color consultant with an eye for nuances. Me!

Maybe they'll change their minds.